Keyword: Copyright
Opinion of the European Copyright Society on certain selected aspects of Case C-227/23, Kwantum Nederland and Kwantum België external link
van Eechoud, M., Quintais, J., Metzger, A. & Rognstad, O.A.
Kluwer Copyright Blog, 2024
Copyright
Bibtex
Online publication{nokey,
title = {Opinion of the European Copyright Society on certain selected aspects of Case C-227/23, Kwantum Nederland and Kwantum België},
author = {van Eechoud, M. and Quintais, J. and Metzger, A. and Rognstad, O.A.},
url = {https://copyrightblog.kluweriplaw.com/2024/05/02/opinion-of-the-european-copyright-society-on-certain-selected-aspects-of-case-c-227-23-kwantum-nederland-and-kwantum-belgie/},
year = {2024},
date = {2024-05-02},
journal = {Kluwer Copyright Blog},
keywords = {Copyright},
}
EU copyright law roundup – first trimester of 2024 external link
Trapova, A. & Quintais, J.
Kluwer Copyright Blog, 2024
Copyright
Bibtex
Online publication{nokey,
title = {EU copyright law roundup – first trimester of 2024},
author = {Trapova, A. and Quintais, J.},
url = {https://copyrightblog.kluweriplaw.com/2024/04/10/eu-copyright-law-roundup-first-trimester-of-2024/?s=09},
year = {2024},
date = {2024-04-10},
journal = {Kluwer Copyright Blog},
keywords = {Copyright},
}
D5.6 – Policy Brief 1: Music Metadata Mainstreaming and EU Law download
pp: 50, 2024
Abstract
In order to enable composers, performers and the music industry to benefit from licensing opportunities in the field of new technologies, such as AI training, it is important to establish a comprehensive music metadata infrastructure that improves the visibility and accessibility of the European music repertoire in digital and algorithmic environments. Recognizing the need for metadata improvement, various European initiatives aim to increase awareness among artists and rightholders, and to build bridges between existing metadata collections and infrastructures. One central factor in the equation, however, has remained underexplored and underused to this day: despite the prohibition of formalities in the Berne Convention, it is conceivable to employ legal mechanisms, such as the notification of work-related information under Article 17(4)(b) of Directive 2019/790 on Copyright in the Digital Single Market, the opt-out mechanism relating to text and data mining that follows from Article 4(3) of the same Directive, and the EU rules on collective rights management, as well as the broader legal framework applicable to data spaces as vehicles to impose an obligation on rightholders to constantly provide updated music metadata in standardised form. If information stemming from these channels is pooled, the resulting accumulation of EU copyright data could lead to a promising reservoir of music metadata that is capable of enhancing and boosting licensing opportunities.
Copyright, metadata, music
Bibtex
Report{nokey,
title = {D5.6 – Policy Brief 1: Music Metadata Mainstreaming and EU Law},
author = {Senftleben, M. and Margoni, T. and Poort, J. and Szkalej, K. and Valk, E.G.},
url = {https://www.ivir.nl/publications/d5-6-policy-brief-1-music-metadata-mainstreaming-and-eu-law/d5-6_policy-brief-1_music-metadata-mainstreaming-and-eu-law/},
year = {2024},
date = {2024-03-29},
abstract = {In order to enable composers, performers and the music industry to benefit from licensing opportunities in the field of new technologies, such as AI training, it is important to establish a comprehensive music metadata infrastructure that improves the visibility and accessibility of the European music repertoire in digital and algorithmic environments. Recognizing the need for metadata improvement, various European initiatives aim to increase awareness among artists and rightholders, and to build bridges between existing metadata collections and infrastructures. One central factor in the equation, however, has remained underexplored and underused to this day: despite the prohibition of formalities in the Berne Convention, it is conceivable to employ legal mechanisms, such as the notification of work-related information under Article 17(4)(b) of Directive 2019/790 on Copyright in the Digital Single Market, the opt-out mechanism relating to text and data mining that follows from Article 4(3) of the same Directive, and the EU rules on collective rights management, as well as the broader legal framework applicable to data spaces as vehicles to impose an obligation on rightholders to constantly provide updated music metadata in standardised form. If information stemming from these channels is pooled, the resulting accumulation of EU copyright data could lead to a promising reservoir of music metadata that is capable of enhancing and boosting licensing opportunities.},
keywords = {Copyright, metadata, music},
}
UGC Creation and Dissemination – The Role of Platforms, Copyright Holders and the Court of Justice in Safeguarding Freedom of Expression and Information
Kreation Innovation Märkte - Creation Innovation Markets: Festschrift Reto M. Hilty, Springer, 2024, Berlin, ISBN: 978-3-662-68598-3
Abstract
With the erosion of the traditional safe harbour for hosting and the introduction of licensing and filtering obligations in Art. 17 of the CDSM Directive, EU copyright law has substantially enhanced the risk of inroads into freedom of expression and information: users seeking to participate in the online debate may be confronted with filtering systems that block permissible parodies and pastiches even though no copyright infringement can be found. Instead of putting responsibility for detecting and remedying human rights deficits in the hands of the state, the EU legislature prefers to outsource this responsibility to private entities, in particular platforms for user-generated content. Moreover, the CDSM Directive conceals potential human rights violations by leaving countermeasures to users. A closer look at the human rights obligations imposed on platforms, and the reliance on user activism, reveals a worrying tendency to outsource the task of human rights protection and add a gloss of proportionality and diligence safeguards – without ensuring effective control by public authorities that are bound to foster and support freedom of expression and information. The risk of human rights encroachments is exacerbated by the fact that, instead of exposing and discussing the corrosive effect of human rights outsourcing, the CJEU has rubberstamped the regulatory approach in Art. 17 CDSMD. In its Poland decision, the Court has even qualified problematic features of the outsourcing and concealment strategy as valid safeguards against the erosion of freedom of expression and information. Using inspiring joint work with Reto Hilty as a basis, the analysis sheds light on these problematic developments in the area of platform liability and user-generated content.
Links
Copyright
Bibtex
Chapter{nokey,
title = {UGC Creation and Dissemination – The Role of Platforms, Copyright Holders and the Court of Justice in Safeguarding Freedom of Expression and Information},
author = {Senftleben, M.},
doi = {https://doi.org/10.1007/978-3-662-68599-0_24},
year = {2024},
date = {2024-03-06},
abstract = {With the erosion of the traditional safe harbour for hosting and the introduction of licensing and filtering obligations in Art. 17 of the CDSM Directive, EU copyright law has substantially enhanced the risk of inroads into freedom of expression and information: users seeking to participate in the online debate may be confronted with filtering systems that block permissible parodies and pastiches even though no copyright infringement can be found. Instead of putting responsibility for detecting and remedying human rights deficits in the hands of the state, the EU legislature prefers to outsource this responsibility to private entities, in particular platforms for user-generated content. Moreover, the CDSM Directive conceals potential human rights violations by leaving countermeasures to users. A closer look at the human rights obligations imposed on platforms, and the reliance on user activism, reveals a worrying tendency to outsource the task of human rights protection and add a gloss of proportionality and diligence safeguards – without ensuring effective control by public authorities that are bound to foster and support freedom of expression and information. The risk of human rights encroachments is exacerbated by the fact that, instead of exposing and discussing the corrosive effect of human rights outsourcing, the CJEU has rubberstamped the regulatory approach in Art. 17 CDSMD. In its Poland decision, the Court has even qualified problematic features of the outsourcing and concealment strategy as valid safeguards against the erosion of freedom of expression and information. Using inspiring joint work with Reto Hilty as a basis, the analysis sheds light on these problematic developments in the area of platform liability and user-generated content.},
keywords = {Copyright},
}
TDM: Poland challenges the rule of EU copyright law external link
Kluwer Copyright Blog, 2024
Links
Copyright, EU, Poland, text and data mining
Bibtex
Online publication{nokey,
title = {TDM: Poland challenges the rule of EU copyright law},
author = {Keller, P.},
url = {https://copyrightblog.kluweriplaw.com/2024/02/20/tdm-poland-challenges-the-rule-of-eu-copyright-law/},
year = {2024},
date = {2024-02-20},
journal = {Kluwer Copyright Blog},
keywords = {Copyright, EU, Poland, text and data mining},
}
Rechtsbeschermingsmogelijkheden van het stemgeluid onder Nederlands portretrecht in de context van audio-deepfakes download
Ars Aequi, vol. 72, iss. : 9, pp: 627-634,
Abstract
Recente ontwikkelingen van AI-technologie maken het mogelijk de menselijke stem geheel waarheidsgetrouw na te bootsen. Potentiële inbreuk op ieders privacyrechten en de IE-rechten van makers is hiermee een nieuwe realiteit. Dit artikel bespreekt de mogelijkheden om ter bescherming van het stemgeluid aansluiting te vinden bij het portretrecht, op basis van de wet, relevante jurisprudentie en literatuur.
Links
Copyright, portretrecht
Bibtex
Article{nokey,
title = {Rechtsbeschermingsmogelijkheden van het stemgeluid onder Nederlands portretrecht in de context van audio-deepfakes},
author = {Valk, E.G.},
url = {https://www.ivir.nl/publications/rechtsbeschermingsmogelijkheden-van-het-stemgeluid-onder-nederlands-portretrecht-in-de-context-van-audio-deepfakes/aa20230627/},
year = {},
date = {DATE ERROR: pub_date = },
journal = {Ars Aequi},
volume = {72},
issue = {9},
pages = {627-634},
abstract = {Recente ontwikkelingen van AI-technologie maken het mogelijk de menselijke stem geheel waarheidsgetrouw na te bootsen. Potentiële inbreuk op ieders privacyrechten en de IE-rechten van makers is hiermee een nieuwe realiteit. Dit artikel bespreekt de mogelijkheden om ter bescherming van het stemgeluid aansluiting te vinden bij het portretrecht, op basis van de wet, relevante jurisprudentie en literatuur.},
keywords = {Copyright, portretrecht},
}
From the DMCA to the DSA: A Transatlantic Dialogue on Online Platform Regulation and Copyright external link
Verfassungsblog, 2024
Copyright, DMCA, DSA, Online platforms
Bibtex
Online publication{nokey,
title = {From the DMCA to the DSA: A Transatlantic Dialogue on Online Platform Regulation and Copyright},
author = {Quintais, J.},
url = {https://verfassungsblog.de/from-the-dmca-to-the-dsa/?s=09},
year = {2024},
date = {2024-02-19},
journal = {Verfassungsblog},
keywords = {Copyright, DMCA, DSA, Online platforms},
}
Territoriality and the Quest for a Unitary Copyright Title external link
IIC, vol. 55, pp: 66-88, 2024
Abstract
After 30 years of harmonization at EU level, copyright and related rights remain decidedly territorial in scope. This is despite the continuous quest for an internal market and the profound impact on cross-border creation, dissemination and use of cultural content. This contribution recounts the outcome of research done on territoriality in the context of the ReCreating Europe project. It discusses why national territorial rights persist, what type of legal mechanisms the EU legislature employs to address the adverse effects of territoriality, and sketches a number of models for a unitary title based on Art. 118 TFEU which could be explored going forward.
Links
Art. 118 TFEU, Copyright, EU, territoriality, unitary title
Bibtex
Article{nokey,
title = {Territoriality and the Quest for a Unitary Copyright Title},
author = {van Eechoud, M.},
url = {https://link.springer.com/article/10.1007/s40319-023-01412-w},
doi = {https://doi.org/10.1007/s40319-023-01412-w},
year = {2024},
date = {2024-02-01},
journal = {IIC},
volume = {55},
pages = {66-88},
abstract = {After 30 years of harmonization at EU level, copyright and related rights remain decidedly territorial in scope. This is despite the continuous quest for an internal market and the profound impact on cross-border creation, dissemination and use of cultural content. This contribution recounts the outcome of research done on territoriality in the context of the ReCreating Europe project. It discusses why national territorial rights persist, what type of legal mechanisms the EU legislature employs to address the adverse effects of territoriality, and sketches a number of models for a unitary title based on Art. 118 TFEU which could be explored going forward.},
keywords = {Art. 118 TFEU, Copyright, EU, territoriality, unitary title},
}
How the EU Outsources the Task of Human Rights Protection to Platforms and Users: The Case of UGC Monetization external link
Senftleben, M., Quintais, J. & Meiring, A.
Berkeley Technology Law Journal, vol. 38, iss. : 3, pp: 933-1010, 2024
Abstract
With the shift from the traditional safe harbor for hosting to statutory content filtering and licensing obligations, EU copyright law has substantially curtailed the freedom of users to upload and share their content creations. Seeking to avoid overbroad inroads into freedom of expression, EU law obliges online platforms and the creative industry to take into account human rights when coordinating their content filtering actions. Platforms must also establish complaint and redress procedures for users. The European Commission will initiate stakeholder dialogues to identify best practices. These “safety valves” in the legislative package, however, are mere fig leaves. Instead of safeguarding human rights, the EU legislator outsources human rights obligations to the platform industry. At the same time, the burden of policing content moderation systems is imposed on users who are unlikely to bring complaints in each individual case. The new legislative design in the EU will thus “conceal” human rights violations instead of bringing them to light. Nonetheless, the DSA rests on the same – highly problematic – approach.
Against this background, the paper discusses the weakening – and potential loss – of fundamental freedoms as a result of the departure from the traditional notice-and-takedown approach. Adding a new element to the ongoing debate on content licensing and filtering, the analysis will devote particular attention to the fact that EU law, for the most part, has left untouched the private power of platforms to determine the “house rules” governing the most popular copyright-owner reaction to detected matches between protected works and content uploads: the (algorithmic) monetization of that content. Addressing the “legal vacuum” in the field of content monetization, the analysis explores outsourcing and concealment risks in this unregulated space. Focusing on large-scale platforms for user-generated content, such as YouTube, Instagram and TikTok, two normative problems come to the fore: (1) the fact that rightholders, when opting for monetization, de facto monetize not only their own rights but also the creative input of users; (2) the fact that user creativity remains unremunerated as long as the monetization option is only available to rightholders. As a result of this configuration, the monetization mechanism disregards users’ right to (intellectual) property and discriminates against user creativity. Against this background, we discuss whether the DSA provisions that seek to ensure transparency of content moderation actions and terms and conditions offer useful sources of information that could empower users. Moreover, we raise the question whether the detailed regulation of platform actions in the DSA may resolve the described human rights dilemmas to some extent.
Links
Artificial intelligence, Content moderation, Copyright, derivative works, discrimination, Freedom of expression, Human rights, liability, proportionality, user-generated content
Bibtex
Article{nokey,
title = {How the EU Outsources the Task of Human Rights Protection to Platforms and Users: The Case of UGC Monetization},
author = {Senftleben, M. and Quintais, J. and Meiring, A.},
url = {https://papers.ssrn.com/sol3/papers.cfm?abstract_id=4421150},
year = {2024},
date = {2024-01-23},
journal = {Berkeley Technology Law Journal},
volume = {38},
issue = {3},
pages = {933-1010},
abstract = {With the shift from the traditional safe harbor for hosting to statutory content filtering and licensing obligations, EU copyright law has substantially curtailed the freedom of users to upload and share their content creations. Seeking to avoid overbroad inroads into freedom of expression, EU law obliges online platforms and the creative industry to take into account human rights when coordinating their content filtering actions. Platforms must also establish complaint and redress procedures for users. The European Commission will initiate stakeholder dialogues to identify best practices. These “safety valves” in the legislative package, however, are mere fig leaves. Instead of safeguarding human rights, the EU legislator outsources human rights obligations to the platform industry. At the same time, the burden of policing content moderation systems is imposed on users who are unlikely to bring complaints in each individual case. The new legislative design in the EU will thus “conceal” human rights violations instead of bringing them to light. Nonetheless, the DSA rests on the same – highly problematic – approach.
Against this background, the paper discusses the weakening – and potential loss – of fundamental freedoms as a result of the departure from the traditional notice-and-takedown approach. Adding a new element to the ongoing debate on content licensing and filtering, the analysis will devote particular attention to the fact that EU law, for the most part, has left untouched the private power of platforms to determine the “house rules” governing the most popular copyright-owner reaction to detected matches between protected works and content uploads: the (algorithmic) monetization of that content. Addressing the “legal vacuum” in the field of content monetization, the analysis explores outsourcing and concealment risks in this unregulated space. Focusing on large-scale platforms for user-generated content, such as YouTube, Instagram and TikTok, two normative problems come to the fore: (1) the fact that rightholders, when opting for monetization, de facto monetize not only their own rights but also the creative input of users; (2) the fact that user creativity remains unremunerated as long as the monetization option is only available to rightholders. As a result of this configuration, the monetization mechanism disregards users’ right to (intellectual) property and discriminates against user creativity. Against this background, we discuss whether the DSA provisions that seek to ensure transparency of content moderation actions and terms and conditions offer useful sources of information that could empower users. Moreover, we raise the question whether the detailed regulation of platform actions in the DSA may resolve the described human rights dilemmas to some extent.},
keywords = {Artificial intelligence, Content moderation, Copyright, derivative works, discrimination, Freedom of expression, Human rights, liability, proportionality, user-generated content},
}