Annotatie bij Rb Amsterdam 1 november 2019 (Van Uem / De Persgroep) external link

AMI, num: 3-4, pp: 101-105, 2020

Annotaties, Auteursrecht, billijke vergoeding, freelancers, frontpage, Journalistiek

Bibtex

Article{Hugenholtz2020c, title = {Annotatie bij Rb Amsterdam 1 november 2019 (Van Uem / De Persgroep)}, author = {Hugenholtz, P.}, url = {https://www.ivir.nl/publicaties/download/Annotatie_AMI_2020_3_4.pdf}, year = {0724}, date = {2020-07-24}, journal = {AMI}, number = {3-4}, keywords = {Annotaties, Auteursrecht, billijke vergoeding, freelancers, frontpage, Journalistiek}, }

Auteursrecht op robotcreaties? Een analyse op basis van de incentivetheorie external link

Buijtelaar, L.D. & Senftleben, M.
AMI, num: 3-4, pp: 77-93, 2020

Abstract

Vandaag de dag zijn teksten, schilderijen en liedjes niet noodzakelijkerwijs het resultaat van menselijke creativiteit. Geavanceerde robotsystemen zijn in staat om output te genereren die nauwelijks te onderscheiden is van de werken van makers van vlees en bloed. Dit doet de vraag rijzen of door robots gegenereerde creaties in aanmerking kunnen komen voor auteursrechtelijke bescherming. In de volgende analyse staat deze vraag centraal. Na een inleidende bespreking van het traditionele vereiste van menselijke creativiteit in het auteursrecht dienen de ratio’s van auteursrechtelijke bescherming – met name de economische incentivetheorie – als maatstaf om over nut en noodzaak van de toekenning van bescherming te beslissen. Voorts wordt aandacht besteed aan de vraag wie de houder van rechten op robotcreaties zou kunnen zijn. Ten slotte vindt een afweging plaats van de voor- en nadelen van bescherming, mede in het licht van de mogelijkheid om robotcreaties vrij te laten en het publieke domein te verrijken.

Artificial intelligence, Auteursrecht, creativiteit, frontpage, robotica

Bibtex

Article{Buijtelaar2020, title = {Auteursrecht op robotcreaties? Een analyse op basis van de incentivetheorie}, author = {Buijtelaar, L.D. and Senftleben, M.}, url = {https://www.ivir.nl/publicaties/download/AMI_2020_3_4_77.pdf}, year = {0724}, date = {2020-07-24}, journal = {AMI}, number = {3-4}, abstract = {Vandaag de dag zijn teksten, schilderijen en liedjes niet noodzakelijkerwijs het resultaat van menselijke creativiteit. Geavanceerde robotsystemen zijn in staat om output te genereren die nauwelijks te onderscheiden is van de werken van makers van vlees en bloed. Dit doet de vraag rijzen of door robots gegenereerde creaties in aanmerking kunnen komen voor auteursrechtelijke bescherming. In de volgende analyse staat deze vraag centraal. Na een inleidende bespreking van het traditionele vereiste van menselijke creativiteit in het auteursrecht dienen de ratio’s van auteursrechtelijke bescherming – met name de economische incentivetheorie – als maatstaf om over nut en noodzaak van de toekenning van bescherming te beslissen. Voorts wordt aandacht besteed aan de vraag wie de houder van rechten op robotcreaties zou kunnen zijn. Ten slotte vindt een afweging plaats van de voor- en nadelen van bescherming, mede in het licht van de mogelijkheid om robotcreaties vrij te laten en het publieke domein te verrijken.}, keywords = {Artificial intelligence, Auteursrecht, creativiteit, frontpage, robotica}, }

Hungary’s fast tracked implementation of Article 5 CDSM directive in response to the pandemic external link

Kluwer Copyright Blog, 2020

Auteursrecht, Digital Single Market Directive, frontpage, Hongarije

Bibtex

Article{Keller2020c, title = {Hungary’s fast tracked implementation of Article 5 CDSM directive in response to the pandemic}, author = {Keller, P.}, url = {http://copyrightblog.kluweriplaw.com/2020/06/23/hungarys-fast-tracked-implementation-of-article-5-cdsm-directive-in-response-to-the-pandemic/?doing_wp_cron=1593173611.1108019351959228515625}, year = {0626}, date = {2020-06-26}, journal = {Kluwer Copyright Blog}, keywords = {Auteursrecht, Digital Single Market Directive, frontpage, Hongarije}, }

Flexibility Grave – Partial Reproduction Focus and Closed System Fetishism in CJEU, Pelham external link

IIC, vol. 51, num: 6, pp: 751-769, 2020

Abstract

In the ongoing discussion about the impact of fundamental rights on EU copyright law, the Pelham judgment of the Court of Justice of the European Union (CJEU) has received much attention. However, the decision also raises important legal-doctrinal issues. The CJEU employs the harmonized right of reproduction as a vehicle to regulate adaptations of pre-existing source material. Moreover, the Court insists on a balancing of interests within the EU matrix of exclusive rights and limitations. The closed list of limitations in EU copyright law, however, can hardly be expected to offer sufficient breathing space for adaptation scenarios. As the Information Society Directive did not harmonize the right of adaptation, there was no need to include indispensable free adaptation rules that have evolved at the national level, such as the German “free use” doctrine. Instead of embracing national rules of equity and fairness to fill the gap, the CJEU is reluctant to borrow from the legal traditions of EU Member States and misses an important opportunity to provide guidance for the regulation of adaptations outside the sound sampling arena. After an introduction to the German “Metall auf Metall” saga that led to the Pelham decision, the following analysis sheds light on these developments in EU copyright law and discusses problems arising from the approach taken by the CJEU.

Auteursrecht, frontpage, Naburige rechten, Pelham, soundsampling

Bibtex

Article{Senftleben2020c, title = {Flexibility Grave – Partial Reproduction Focus and Closed System Fetishism in CJEU, Pelham}, author = {Senftleben, M.}, url = {https://doi.org/10.1007/s40319-020-00940-z}, doi = {https://doi.org/10.1007/s40319-020-00940-z}, year = {0512}, date = {2020-05-12}, journal = {IIC}, volume = {51}, number = {6}, pages = {751-769}, abstract = {In the ongoing discussion about the impact of fundamental rights on EU copyright law, the Pelham judgment of the Court of Justice of the European Union (CJEU) has received much attention. However, the decision also raises important legal-doctrinal issues. The CJEU employs the harmonized right of reproduction as a vehicle to regulate adaptations of pre-existing source material. Moreover, the Court insists on a balancing of interests within the EU matrix of exclusive rights and limitations. The closed list of limitations in EU copyright law, however, can hardly be expected to offer sufficient breathing space for adaptation scenarios. As the Information Society Directive did not harmonize the right of adaptation, there was no need to include indispensable free adaptation rules that have evolved at the national level, such as the German “free use” doctrine. Instead of embracing national rules of equity and fairness to fill the gap, the CJEU is reluctant to borrow from the legal traditions of EU Member States and misses an important opportunity to provide guidance for the regulation of adaptations outside the sound sampling arena. After an introduction to the German “Metall auf Metall” saga that led to the Pelham decision, the following analysis sheds light on these developments in EU copyright law and discusses problems arising from the approach taken by the CJEU.}, keywords = {Auteursrecht, frontpage, Naburige rechten, Pelham, soundsampling}, }

Implementing User Rights for Research in the Field of Artificial Intelligence: A Call for Action at International Level external link

Flynn, S., Geiger, C. & Quintais, J.
Kluwer Copyright Blog, 2020

Abstract

A version of this post was also published on the InfoJustice website: http://infojustice.org/archives/42260

Artificial intelligence, Auteursrecht, frontpage

Bibtex

Article{Flynn2020c, title = {Implementing User Rights for Research in the Field of Artificial Intelligence: A Call for Action at International Level}, author = {Flynn, S. and Geiger, C. and Quintais, J.}, url = {http://copyrightblog.kluweriplaw.com/2020/04/21/implementing-user-rights-for-research-in-the-field-of-artificial-intelligence-a-call-for-action-at-international-level/ http://infojustice.org/archives/42260}, year = {0421}, date = {2020-04-21}, journal = {Kluwer Copyright Blog}, abstract = {A version of this post was also published on the InfoJustice website: http://infojustice.org/archives/42260}, keywords = {Artificial intelligence, Auteursrecht, frontpage}, }

Implementing User Rights for Research in the Field of Artificial Intelligence: A Call for International Action external link

Flynn, S., Geiger, C., Quintais, J., Margoni, T., Sag, M., Guibault, L. & Carroll, M.
European Intellectual Property Review, vol. 2020, num: 7, 2020

Abstract

Last year, before the onset of a global pandemic highlighted the critical and urgent need for technology-enabled scientific research, the World Intellectual Property Organization (WIPO) launched an inquiry into issues at the intersection of intellectual property (IP) and artificial intelligence (AI). We contributed comments to that inquiry, with a focus on the application of copyright to the use of text and data mining (TDM) technology. This article describes some of the most salient points of our submission and concludes by stressing the need for international leadership on this important topic. WIPO could help fill the current gap on international leadership, including by providing guidance on the diverse mechanisms that countries may use to authorize TDM research and serving as a forum for the adoption of rules permitting cross-border TDM projects.

Artificial intelligence, Auteursrecht, frontpage, machine learning, tdm, text and data mining

Bibtex

Article{Flynn2020b, title = {Implementing User Rights for Research in the Field of Artificial Intelligence: A Call for International Action}, author = {Flynn, S. and Geiger, C. and Quintais, J. and Margoni, T. and Sag, M. and Guibault, L. and Carroll, M.}, url = {https://papers.ssrn.com/sol3/papers.cfm?abstract_id=3578819}, year = {0421}, date = {2020-04-21}, journal = {European Intellectual Property Review}, volume = {2020}, number = {7}, pages = {}, abstract = {Last year, before the onset of a global pandemic highlighted the critical and urgent need for technology-enabled scientific research, the World Intellectual Property Organization (WIPO) launched an inquiry into issues at the intersection of intellectual property (IP) and artificial intelligence (AI). We contributed comments to that inquiry, with a focus on the application of copyright to the use of text and data mining (TDM) technology. This article describes some of the most salient points of our submission and concludes by stressing the need for international leadership on this important topic. WIPO could help fill the current gap on international leadership, including by providing guidance on the diverse mechanisms that countries may use to authorize TDM research and serving as a forum for the adoption of rules permitting cross-border TDM projects.}, keywords = {Artificial intelligence, Auteursrecht, frontpage, machine learning, tdm, text and data mining}, }

Institutionalized Algorithmic Enforcement – The Pros and Cons of the EU Approach to UGC Platform Liability external link

Florida International University Law Review, vol. 14, num: 2, pp: 299-328, 2020

Abstract

Algorithmic copyright enforcement – the use of automated filtering tools to detect infringing content before it appears on the internet – has a deep impact on the freedom of users to upload and share information. Instead of presuming that user-generated content ("UGC") does not amount to infringement unless copyright owners take action and provide proof, the default position of automated filtering systems is that every upload is suspicious and that copyright owners are entitled to ex ante control over the sharing of information online. If platform providers voluntarily introduce algorithmic enforcement measures, this may be seen as a private decision following from the freedom of companies to run their business as they wish. If, however, copyright legislation institutionalizes algorithmic enforcement and imposes a legal obligation on platform providers to employ automated filtering tools, the law itself transforms copyright into a censorship and filtering instrument. Nonetheless, the new EU Directive on Copyright in the Digital Single Market (“DSM Directive”) follows this path and requires the employment of automated filtering tools to ensure that unauthorized protected content does not populate UGC platforms. The new EU rules on UGC licensing and screening will inevitably lead to the adoption of algorithmic enforcement measures in practice. Without automated content control, UGC platforms will be unable to escape liability for infringing user uploads. To provide a complete picture, however, it is important to also shed light on counterbalances which may distinguish this new, institutionalized form of algorithmic enforcement from known content filtering tools that have evolved as voluntary measures in the private sector. The DSM Directive underlines the necessity to safeguard user freedoms that support transformative, creative remixes and mash-ups of pre-existing content. This feature of the new legislation may offer important incentives to develop algorithmic tools that go beyond the mere identification of unauthorized takings from protected works. It has the potential to encourage content assessment mechanisms that factor the degree of transformative effort and user creativity into the equation. As a result, more balanced content filtering tools may emerge in the EU. Against this background, the analysis shows that the new EU legislation not only escalates the use of algorithmic enforcement measures that already commenced in the private sector years ago. If rightly implemented, it may also add an important nuance to existing content identification tools and alleviate the problems arising from reliance on automated filtering mechanisms.

aansprakelijkheid, Auteursrecht, censuur, EU, frontpage, Platforms, user-generated content, Vrijheid van meningsuiting

Bibtex

Article{Senftleben2020, title = {Institutionalized Algorithmic Enforcement – The Pros and Cons of the EU Approach to UGC Platform Liability}, author = {Senftleben, M.}, url = {https://papers.ssrn.com/sol3/papers.cfm?abstract_id=3565175 https://ecollections.law.fiu.edu/lawreview/vol14/iss2/11/}, doi = {https://doi.org/10.25148/lawrev.14.2.11}, year = {1020}, date = {2020-10-20}, journal = {Florida International University Law Review}, volume = {14}, number = {2}, pages = {299-328}, abstract = {Algorithmic copyright enforcement – the use of automated filtering tools to detect infringing content before it appears on the internet – has a deep impact on the freedom of users to upload and share information. Instead of presuming that user-generated content ("UGC") does not amount to infringement unless copyright owners take action and provide proof, the default position of automated filtering systems is that every upload is suspicious and that copyright owners are entitled to ex ante control over the sharing of information online. If platform providers voluntarily introduce algorithmic enforcement measures, this may be seen as a private decision following from the freedom of companies to run their business as they wish. If, however, copyright legislation institutionalizes algorithmic enforcement and imposes a legal obligation on platform providers to employ automated filtering tools, the law itself transforms copyright into a censorship and filtering instrument. Nonetheless, the new EU Directive on Copyright in the Digital Single Market (“DSM Directive”) follows this path and requires the employment of automated filtering tools to ensure that unauthorized protected content does not populate UGC platforms. The new EU rules on UGC licensing and screening will inevitably lead to the adoption of algorithmic enforcement measures in practice. Without automated content control, UGC platforms will be unable to escape liability for infringing user uploads. To provide a complete picture, however, it is important to also shed light on counterbalances which may distinguish this new, institutionalized form of algorithmic enforcement from known content filtering tools that have evolved as voluntary measures in the private sector. The DSM Directive underlines the necessity to safeguard user freedoms that support transformative, creative remixes and mash-ups of pre-existing content. This feature of the new legislation may offer important incentives to develop algorithmic tools that go beyond the mere identification of unauthorized takings from protected works. It has the potential to encourage content assessment mechanisms that factor the degree of transformative effort and user creativity into the equation. As a result, more balanced content filtering tools may emerge in the EU. Against this background, the analysis shows that the new EU legislation not only escalates the use of algorithmic enforcement measures that already commenced in the private sector years ago. If rightly implemented, it may also add an important nuance to existing content identification tools and alleviate the problems arising from reliance on automated filtering mechanisms.}, keywords = {aansprakelijkheid, Auteursrecht, censuur, EU, frontpage, Platforms, user-generated content, Vrijheid van meningsuiting}, }

Joint Comment to WIPO on Copyright and Artificial Intelligence external link

Flynn, S., Carroll, M., Sag, M., Guibault, L., Margoni, T., Butler, B., Rocha de Souza, A., Bogataj Jancic, M., Jaszi, P., Quintais, J., Geiger, C., Ncube, C., White, B., Scaria, A.G., Botero, C. & Craig, C.
2020

Abstract

On December 13, 2019, WIPO invited member states and all other interested parties to provide comments and suggestions to help define the issues related to intellectual property (IP) and artificial intelligence (AI) based on a Draft Issues Paper on IP Policy and AI. These comments will be used to prepare a revised issues paper for discussion at the second session of the WIPO Conversation on IP and AI. This Joint Comment is made in response to WIPO’s Public Consultation on AI and IP Policy and is endorsed by 16 members of the Global Expert Network on Copyright User Rights.

Artificial intelligence, Auteursrecht, frontpage, WIPO

Bibtex

Article{Flynn2020, title = {Joint Comment to WIPO on Copyright and Artificial Intelligence}, author = {Flynn, S. and Carroll, M. and Sag, M. and Guibault, L. and Margoni, T. and Butler, B. and Rocha de Souza, A. and Bogataj Jancic, M. and Jaszi, P. and Quintais, J. and Geiger, C. and Ncube, C. and White, B. and Scaria, A.G. and Botero, C. and Craig, C.}, url = {http://infojustice.org/archives/42009}, year = {0225}, date = {2020-02-25}, abstract = {On December 13, 2019, WIPO invited member states and all other interested parties to provide comments and suggestions to help define the issues related to intellectual property (IP) and artificial intelligence (AI) based on a Draft Issues Paper on IP Policy and AI. These comments will be used to prepare a revised issues paper for discussion at the second session of the WIPO Conversation on IP and AI. This Joint Comment is made in response to WIPO’s Public Consultation on AI and IP Policy and is endorsed by 16 members of the Global Expert Network on Copyright User Rights.}, keywords = {Artificial intelligence, Auteursrecht, frontpage, WIPO}, }

Artikelen 8 tot en met 11 DSM-richtlijn: Niet of niet meer in de handel zijnde werken en andere materialen external link

van Gompel, S.
AMI, num: 1, pp: 3-10, 2020

Abstract

In Hoofdstuk 1 van Titel III van de DSM-richtlijn, die maatregelen voorschrijft om de licentieverlening te verbeteren en een ruimere toegang tot content te verzekeren, wordt een regeling geïntroduceerd voor het gebruik door cultureel erfgoedinstellingen van werken en andere materialen die niet of niet meer in de handel zijn, kortgezegd: van out-of-commerce werken (hierna: OOC-werken). In dit artikel wordt eerst de achtergrond van deze regeling geschetst. Daarna wordt ingegaan op de definitie van OOC-werken, de juridische instrumenten die worden ingezet om het gebruik van OOC-werken toe te staan (een licentiemechanisme plus terugvalbeperking), de grensoverschrijdende werking ervan, en de publiciteitsmaatregelen die de richtlijn voorschrijft. Het artikel sluit af met een conclusie.

Auteursrecht, DSM-richtlijn, frontpage

Bibtex

Article{vanGompel2020, title = {Artikelen 8 tot en met 11 DSM-richtlijn: Niet of niet meer in de handel zijnde werken en andere materialen}, author = {van Gompel, S.}, url = {https://www.ivir.nl/publicaties/download/AMI_2020_1_VanGompel.pdf}, year = {0220}, date = {2020-02-20}, journal = {AMI}, number = {1}, abstract = {In Hoofdstuk 1 van Titel III van de DSM-richtlijn, die maatregelen voorschrijft om de licentieverlening te verbeteren en een ruimere toegang tot content te verzekeren, wordt een regeling geïntroduceerd voor het gebruik door cultureel erfgoedinstellingen van werken en andere materialen die niet of niet meer in de handel zijn, kortgezegd: van out-of-commerce werken (hierna: OOC-werken). In dit artikel wordt eerst de achtergrond van deze regeling geschetst. Daarna wordt ingegaan op de definitie van OOC-werken, de juridische instrumenten die worden ingezet om het gebruik van OOC-werken toe te staan (een licentiemechanisme plus terugvalbeperking), de grensoverschrijdende werking ervan, en de publiciteitsmaatregelen die de richtlijn voorschrijft. Het artikel sluit af met een conclusie.}, keywords = {Auteursrecht, DSM-richtlijn, frontpage}, }