Is Spotify the New Radio? The Scope of the Right to Remuneration for “Secondary Uses” in Respect of Audio Streaming Services download

Gestaltung der Informationsrechtsordnung: Festschrift für Thomas Dreier zum 65. Geburtstag, C.H. Beck, 2023, pp: 161-176, ISBN: 9383406777790

Copyright, radio, remuneration, Spotify, streaming services

Bibtex

Chapter{nokey, title = {Is Spotify the New Radio? The Scope of the Right to Remuneration for “Secondary Uses” in Respect of Audio Streaming Services}, author = {Hugenholtz, P.}, url = {https://www.ivir.nl/nl/publications/is-spotify-the-new-radio-the-scope-of-the-right-to-remuneration-for-secondary-uses-in-respect-of-audio-streaming-services/is-spotify-making-available/}, year = {2023}, date = {2023-03-17}, keywords = {Copyright, radio, remuneration, Spotify, streaming services}, }

How platforms govern users’ copyright-protected content: Exploring the power of private ordering and its implications download

Quintais, J., De Gregorio, G. & Magalhães, J.C.
Computer Law & Security Review, vol. 48, 2023

Abstract

Online platforms provide primary points of access to information and other content in the digital age. They foster users’ ability to share ideas and opinions while offering opportunities for cultural and creative industries. In Europe, ownership and use of such expressions is partly governed by a complex web of legislation, sectoral self- and co-regulatory norms. To an important degree, it is also governed by private norms defined by contractual agreements and informal relationships between users and platforms. By adopting policies usually defined as Terms of Service and Community Guidelines, platforms almost unilaterally set use, moderation and enforcement rules, structures and practices (including through algorithmic systems) that govern the access and dissemination of protected content by their users. This private governance of essential means of access, dissemination and expression to (and through) creative content is hardly equitable, though. In fact, it is an expression of how platforms control what users – including users-creators – can say and disseminate online, and how they can monetise their content. As platform power grows, EU law is adjusting by moving towards enhancing the responsibility of platforms for content they host. One crucial example of this is Article 17 of the new Copyright Directive (2019/790), which fundamentally changes the regime and liability of “online content-sharing service providers” (OCSSPs). This complex regime, complemented by rules in the Digital Services Act, sets out a new environment for OCSSPs to design and carry out content moderation, as well as to define their contractual relationship with users, including creators. The latter relationship is characterized by significant power imbalance in favour of platforms, calling into question whether the law can and should do more to protect users-creators. This article addresses the power of large-scale platforms in EU law over their users’ copyright-protected content and its effects on the governance of that content, including on its exploitation and some of its implications for freedom of expression. Our analysis combines legal and empirical methods. We carry our doctrinal legal research to clarify the complex legal regime that governs platforms’ contractual obligations to users and content moderation activities, including the space available for private ordering, with a focus on EU law. From the empirical perspective, we conducted a thematic analysis of most versions of the Terms of Services published over time by the three largest social media platforms in number of users – Facebook, Instagram and YouTube – so as to identify and examine the rules these companies have established to regulate user-generated content, and the ways in which such provisions shifted in the past two decades. In so doing, we unveil how foundational this sort of regulation has always been to platforms’ functioning and how it contributes to defining a system of content exploitation.

CDSM Directive, Content moderation, Copyright, creators, Digital services act, online content, Online platforms, platform regulation, private ordering, terms of service

Bibtex

Article{nokey, title = {How platforms govern users’ copyright-protected content: Exploring the power of private ordering and its implications}, author = {Quintais, J. and De Gregorio, G. and Magalhães, J.C.}, url = {https://www.ivir.nl/nl/publications/how-platforms-govern-users-copyright-protected-content-exploring-the-power-of-private-ordering-and-its-implications/computer_law_and_security_review_2023/}, doi = {https://doi.org/10.1016/j.clsr.2023.105792}, year = {2023}, date = {2023-02-24}, journal = {Computer Law & Security Review}, volume = {48}, pages = {}, abstract = {Online platforms provide primary points of access to information and other content in the digital age. They foster users’ ability to share ideas and opinions while offering opportunities for cultural and creative industries. In Europe, ownership and use of such expressions is partly governed by a complex web of legislation, sectoral self- and co-regulatory norms. To an important degree, it is also governed by private norms defined by contractual agreements and informal relationships between users and platforms. By adopting policies usually defined as Terms of Service and Community Guidelines, platforms almost unilaterally set use, moderation and enforcement rules, structures and practices (including through algorithmic systems) that govern the access and dissemination of protected content by their users. This private governance of essential means of access, dissemination and expression to (and through) creative content is hardly equitable, though. In fact, it is an expression of how platforms control what users – including users-creators – can say and disseminate online, and how they can monetise their content. As platform power grows, EU law is adjusting by moving towards enhancing the responsibility of platforms for content they host. One crucial example of this is Article 17 of the new Copyright Directive (2019/790), which fundamentally changes the regime and liability of “online content-sharing service providers” (OCSSPs). This complex regime, complemented by rules in the Digital Services Act, sets out a new environment for OCSSPs to design and carry out content moderation, as well as to define their contractual relationship with users, including creators. The latter relationship is characterized by significant power imbalance in favour of platforms, calling into question whether the law can and should do more to protect users-creators. This article addresses the power of large-scale platforms in EU law over their users’ copyright-protected content and its effects on the governance of that content, including on its exploitation and some of its implications for freedom of expression. Our analysis combines legal and empirical methods. We carry our doctrinal legal research to clarify the complex legal regime that governs platforms’ contractual obligations to users and content moderation activities, including the space available for private ordering, with a focus on EU law. From the empirical perspective, we conducted a thematic analysis of most versions of the Terms of Services published over time by the three largest social media platforms in number of users – Facebook, Instagram and YouTube – so as to identify and examine the rules these companies have established to regulate user-generated content, and the ways in which such provisions shifted in the past two decades. In so doing, we unveil how foundational this sort of regulation has always been to platforms’ functioning and how it contributes to defining a system of content exploitation.}, keywords = {CDSM Directive, Content moderation, Copyright, creators, Digital services act, online content, Online platforms, platform regulation, private ordering, terms of service}, }

Protecting creatives or impeding progress? Machine learning and the EU copyright framework external link

Kluwer Copyright Blog, 2023

Copyright

Bibtex

Online publication{nokey, title = {Protecting creatives or impeding progress? Machine learning and the EU copyright framework}, author = {Keller, P.}, url = {https://copyrightblog.kluweriplaw.com/2023/02/20/protecting-creatives-or-impeding-progress-machine-learning-and-the-eu-copyright-framework/}, year = {2023}, date = {2023-02-20}, journal = {Kluwer Copyright Blog}, keywords = {Copyright}, }

ALLEA Statement on Open Access Publication under “Big Deals” and the New Copyright Rules external link

Kluwer Copyright Blog, 2022

Copyright, Digital Single Market, open access, remuneration

Bibtex

Article{nokey, title = {ALLEA Statement on Open Access Publication under “Big Deals” and the New Copyright Rules}, author = {Hugenholtz, P.}, url = {http://copyrightblog.kluweriplaw.com/2022/12/12/allea-statement-on-open-access-publication-under-big-deals-and-the-new-copyright-rules/}, year = {2022}, date = {2022-12-12}, journal = {Kluwer Copyright Blog}, keywords = {Copyright, Digital Single Market, open access, remuneration}, }

Europe’s Human Rights Court rules for the first time on a breach of a copyright holder’s right to property in a private dispute

Journal of Intellectual Property Law & Practice, vol. 17, iss. : 11, pp: 896–898, 2022

Abstract

The European Court of Human Rights has recently ruled that the domestic courts’ failure to justify the grounds for dismissing the applicant’s copyright infringement claim in a private-party dispute concerning the unauthorized online reproduction of the applicant’s book breached the latter’s human right to property. Notably, the Court was not satisfied with the fact that the national courts had not persuasively explained their conclusions regarding the applicability in the applicant’s case of digital exhaustion and of copyright exceptions for libraries and private copying.

Copyright, Human rights

Bibtex

Article{nokey, title = {Europe’s Human Rights Court rules for the first time on a breach of a copyright holder’s right to property in a private dispute}, author = {Izyumenko, E.}, doi = {https://doi.org/10.1093/jiplp/jpac093}, year = {2022}, date = {2022-10-17}, journal = {Journal of Intellectual Property Law & Practice}, volume = {17}, issue = {11}, pages = {896–898}, abstract = {The European Court of Human Rights has recently ruled that the domestic courts’ failure to justify the grounds for dismissing the applicant’s copyright infringement claim in a private-party dispute concerning the unauthorized online reproduction of the applicant’s book breached the latter’s human right to property. Notably, the Court was not satisfied with the fact that the national courts had not persuasively explained their conclusions regarding the applicability in the applicant’s case of digital exhaustion and of copyright exceptions for libraries and private copying.}, keywords = {Copyright, Human rights}, }

Final Report Perspectives Authors and Performers download

Poort, J. & Pervaiz, A.
2022

Abstract

This is the final report of work package 3 and focuses on Authors and Performers and their experience with digital and disruptive factors and how they impact them professionally and financially. The report is based on the results derived from a survey that targets artists from diverse creative fields within the European Union (EU). The first part of the report is the methodology section, where we discuss the research design. It discusses in detail the methods used in preparing the survey – from inception to execution. This is followed by an extensive data analysis section that provides descriptive results followed by analysis of the results both empirically and from interviews. The report then ends with a discussion section and conclusions.

Copyright

Bibtex

Report{nokey, title = {Final Report Perspectives Authors and Performers}, author = {Poort, J. and Pervaiz, A.}, url = {https://www.ivir.nl/nl/publications/final-report-perspectives-authors-and-performers/870626_d3-3_final-report-perspectives-authors-and-performers/}, doi = {https://doi.org/10.5281/zenodo.6779373}, year = {2022}, date = {2022-06-29}, abstract = {This is the final report of work package 3 and focuses on Authors and Performers and their experience with digital and disruptive factors and how they impact them professionally and financially. The report is based on the results derived from a survey that targets artists from diverse creative fields within the European Union (EU). The first part of the report is the methodology section, where we discuss the research design. It discusses in detail the methods used in preparing the survey – from inception to execution. This is followed by an extensive data analysis section that provides descriptive results followed by analysis of the results both empirically and from interviews. The report then ends with a discussion section and conclusions.}, keywords = {Copyright}, }

AI Music Outputs: Challenges to the Copyright Legal Framework – Part I external link

Kluwer Copyright Blog, 2022

Artificial intelligence, Copyright, frontpage, muziek

Bibtex

Article{nokey, title = {AI Music Outputs: Challenges to the Copyright Legal Framework – Part I}, author = {Bulayenko, O. and Quintais, J. and Poort, J. and Gervais, D.J.}, url = {http://copyrightblog.kluweriplaw.com/2022/04/22/ai-music-outputs-challenges-to-the-copyright-legal-framework-part-i/}, year = {0422}, date = {2022-04-22}, journal = {Kluwer Copyright Blog}, keywords = {Artificial intelligence, Copyright, frontpage, muziek}, }

AI Music Outputs: Challenges to the Copyright Legal Framework download

2022

Abstract

This report examines the application of EU copyright and related rights law to outputs generated by or with the assistance of artificial intelligence (AI) systems, tools or techniques (AI outputs), with a focus on outputs in the musical domain. The Report examines the question: How can and should EU copyright and related rights law protect AI musical outputs? The interdisciplinary (legal and empirical) research involves: (i) analyzing of the protection of AI outputs under EU copyright and related rights law; (ii) examining the attribution of authorship and ownership to (natural and legal) persons involved in the creation or production of AI outputs; (iii) proposing interpretative guidelines and policy recommendations on increasing legal certainty regarding the protection, authorship, and ownership of copyright and related rights over AI outputs, especially music outputs.

Artificial intelligence, computer-generated works, Copyright, EU, Intellectual property, music, originality, related rights

Bibtex

Report{nokey, title = {AI Music Outputs: Challenges to the Copyright Legal Framework}, author = {Bulayenko, O. and Quintais, J. and Gervais, D.J. and Poort, J.}, url = {https://www.ivir.nl/nl/publications/ai-music-outputs-challenges-to-the-copyright-legal-framework/870626_d3-5-final-report-on-the-impact-of-ia-authorship_formatted-1/}, doi = {https://doi.org/10.5281/zenodo.6405796}, year = {2022}, date = {2022-04-01}, abstract = {This report examines the application of EU copyright and related rights law to outputs generated by or with the assistance of artificial intelligence (AI) systems, tools or techniques (AI outputs), with a focus on outputs in the musical domain. The Report examines the question: How can and should EU copyright and related rights law protect AI musical outputs? The interdisciplinary (legal and empirical) research involves: (i) analyzing of the protection of AI outputs under EU copyright and related rights law; (ii) examining the attribution of authorship and ownership to (natural and legal) persons involved in the creation or production of AI outputs; (iii) proposing interpretative guidelines and policy recommendations on increasing legal certainty regarding the protection, authorship, and ownership of copyright and related rights over AI outputs, especially music outputs.}, keywords = {Artificial intelligence, computer-generated works, Copyright, EU, Intellectual property, music, originality, related rights}, }

The rise of NFTs: These aren’t the droids you’re looking for external link

European Intellectual Property Review, 2022

Abstract

Non-fungible tokens (NFTs) are hailed as revolutionary tools that will empower artists and revolutionize copyright management and remuneration. This article explores their copyright relevance, and it describes how copyright might apply in relation to NFT creation and trading. In doing so, it provides an overview of the ecosystem of actors built around NFTs, and it analyzes the role of these actors according to the European copyright normative framework.

blockchain, Copyright, digital art, frontpage, non-fungible tokens

Bibtex

Article{nokey, title = {The rise of NFTs: These aren’t the droids you’re looking for}, author = {Bodó, B. and Giannopoulou, A. and Quintais, J. and Mezei, P.}, url = {https://papers.ssrn.com/sol3/papers.cfm?abstract_id=4000423}, year = {0104}, date = {2022-01-04}, journal = {European Intellectual Property Review}, abstract = {Non-fungible tokens (NFTs) are hailed as revolutionary tools that will empower artists and revolutionize copyright management and remuneration. This article explores their copyright relevance, and it describes how copyright might apply in relation to NFT creation and trading. In doing so, it provides an overview of the ecosystem of actors built around NFTs, and it analyzes the role of these actors according to the European copyright normative framework.}, keywords = {blockchain, Copyright, digital art, frontpage, non-fungible tokens}, }

A Proposal to leverage Article 17 to build a public repository of Public Domain and openly licensed works external link

Reda, J. & Keller, P.
Kluwer Copyright Blog, 2021

Art. 17, Auteursrecht, Copyright, frontpage, public domain

Bibtex

Article{Reda2021bb, title = {A Proposal to leverage Article 17 to build a public repository of Public Domain and openly licensed works}, author = {Reda, J. and Keller, P.}, url = {http://copyrightblog.kluweriplaw.com/2021/09/23/a-proposal-to-leverage-article-17-to-build-a-public-repository-of-public-domain-and-openly-licensed-works/}, year = {0923}, date = {2021-09-23}, journal = {Kluwer Copyright Blog}, keywords = {Art. 17, Auteursrecht, Copyright, frontpage, public domain}, }