Related rights in United States law
Abstract
This article explains the origin of the rights of performers, sound recording producers, audiovisual producers and broadcasters in the United States. As US law does not formally recognize a category of ‘related rights’, some of those rights exist under copyright law and are, therefore, subject to copyright rules such as the originality requirement, the possibility for authors to claim rights back 35 years after
a transfer by contract, and the work-made-for-hire doctrine. Other rights are protected under different statutes.
Auteursrecht, frontpage, Verenigde Staten, wet op de naburige rechten
Bibtex
Article{Gervais2019,
title = {Related rights in United States law},
author = {Gervais, D.J.},
url = {https://www.ivir.nl/publicaties/download/AMI_2018_6-2.pdf},
year = {0111},
date = {2019-01-11},
journal = {AMI},
volume = {2018},
number = {6},
pages = {245-251},
abstract = {This article explains the origin of the rights of performers, sound recording producers, audiovisual producers and broadcasters in the United States. As US law does not formally recognize a category of ‘related rights’, some of those rights exist under copyright law and are, therefore, subject to copyright rules such as the originality requirement, the possibility for authors to claim rights back 35 years after
a transfer by contract, and the work-made-for-hire doctrine. Other rights are protected under different statutes.},
keywords = {Auteursrecht, frontpage, Verenigde Staten, wet op de naburige rechten},
}