Kroniek Mediarecht external link

KwartaalSignaal Ars Aequi, vol. 142, pp: 8294-8297, 2017

bronbescherming, btw, drones, e-lending, frontpage, mediawet, ombudsman publieke omroep, straffeloosheid, toegang tot informatie, wilders

Bibtex

Article{Breemen2017b, title = {Kroniek Mediarecht}, author = {Breemen, V.}, year = {0301}, date = {2017-03-01}, journal = {KwartaalSignaal Ars Aequi}, volume = {142}, pages = {8294-8297}, keywords = {bronbescherming, btw, drones, e-lending, frontpage, mediawet, ombudsman publieke omroep, straffeloosheid, toegang tot informatie, wilders}, }

The Impossible Quest – Problems with Diligent Search for Orphan Works external link

Schroff, S., Favale, M. & Bertoni, A.
IIC, pp: 1-19, 2017

Abstract

Digital technologies allow unprecedented preservation and sharing of world-wide cultural heritage. Public and private players are increasingly entering the scene with mass digitisation projects that will make this possible. In Europe, legislative action has been taken to allow cultural institutions to include in their online collections copyright works whose owners are either unknown or non-locatable (“orphan works”). However, according to the Orphan Works Directive, cultural institutions must attempt to locate the owner of a work before using it. This is the so-called “diligent search” requirement. This paper provides an empirical analysis of the conditions under which a diligent search can feasibly be carried out. The United Kingdom, the Netherlands, and Italy, all of which have implemented the Orphan Works Directive, have been selected as case studies. For each jurisdiction, this analysis determines what the requirements for a diligent search to locate copyright holders are, what the authoritative sources and databases to be consulted are in practice and, most importantly, to what extent these are freely accessible online. In doing so, our analysis provides insights into the two main issues affecting cultural heritage institutions: (1) how much legal certainty does the implementation provide, and (2) what is the practical burden of a diligent search. The analysis reveals that the jurisdictions have given different meanings to the term “diligent”. While the UK’s extensive guidance makes it unlikely that a search would not be deemed diligent, the search burden is onerous. On the other hand, Italy and especially the Netherlands have a lighter search burden, but in the absence of clear, definite guidance, the likelihood of accidental infringement by failing to meet the diligence standard is greater. In addition, all three jurisdictions have so far failed to take the accessibility of the sources into account, making the searches even more onerous than the numbers suggest at first sight. Therefore, it will be difficult for cultural institutions to clear the rights for their collections while fully complying with the requirements of the legislation. This article concludes that legislative action, official guidelines, or jurisprudence are needed to establish a different legal value of sources for a diligent search, with various degrees of optionality depending on data relevance and accessibility.

Copyright, cultural heritage, frontpage, Mass digitisation, orphan works, Orphan Works Directive

Bibtex

Article{Schroff2017, title = {The Impossible Quest – Problems with Diligent Search for Orphan Works}, author = {Schroff, S. and Favale, M. and Bertoni, A.}, url = {https://link.springer.com/article/10.1007/s40319-017-0568-z?wt_mc=Internal.Event.1.SEM.ArticleAuthorOnlineFirst}, doi = {https://doi.org/10.1007/s40319-017-0568-z}, year = {0414}, date = {2017-04-14}, journal = {IIC}, abstract = {Digital technologies allow unprecedented preservation and sharing of world-wide cultural heritage. Public and private players are increasingly entering the scene with mass digitisation projects that will make this possible. In Europe, legislative action has been taken to allow cultural institutions to include in their online collections copyright works whose owners are either unknown or non-locatable (“orphan works”). However, according to the Orphan Works Directive, cultural institutions must attempt to locate the owner of a work before using it. This is the so-called “diligent search” requirement. This paper provides an empirical analysis of the conditions under which a diligent search can feasibly be carried out. The United Kingdom, the Netherlands, and Italy, all of which have implemented the Orphan Works Directive, have been selected as case studies. For each jurisdiction, this analysis determines what the requirements for a diligent search to locate copyright holders are, what the authoritative sources and databases to be consulted are in practice and, most importantly, to what extent these are freely accessible online. In doing so, our analysis provides insights into the two main issues affecting cultural heritage institutions: (1) how much legal certainty does the implementation provide, and (2) what is the practical burden of a diligent search. The analysis reveals that the jurisdictions have given different meanings to the term “diligent”. While the UK’s extensive guidance makes it unlikely that a search would not be deemed diligent, the search burden is onerous. On the other hand, Italy and especially the Netherlands have a lighter search burden, but in the absence of clear, definite guidance, the likelihood of accidental infringement by failing to meet the diligence standard is greater. In addition, all three jurisdictions have so far failed to take the accessibility of the sources into account, making the searches even more onerous than the numbers suggest at first sight. Therefore, it will be difficult for cultural institutions to clear the rights for their collections while fully complying with the requirements of the legislation. This article concludes that legislative action, official guidelines, or jurisprudence are needed to establish a different legal value of sources for a diligent search, with various degrees of optionality depending on data relevance and accessibility.}, keywords = {Copyright, cultural heritage, frontpage, Mass digitisation, orphan works, Orphan Works Directive}, }

Freedom of Expression, the Media and Journalists: Case-law of the European Court of Human Rights external link

McGonagle, T. & Voorhoof, D.
European Audiovisual Observatory, 0413, ISBN: 9789287184351

Abstract

This e-book provides valuable insights into the European Court of Human Rights’ extensive case-law on freedom of expression and media and journalistic freedoms. With 30,000 downloads, the first and second editions of the e-book (2013, 2015) have proved hugely successful. The new updated edition summarises over 250 judgments or decisions by the Court and provides hyperlinks to the full text of each of the summarised judgments or decisions (via HUDOC, the Court's online case-law database). The latest edition of the e-book is also available in French and in German. For an optimal navigational experience, one should download the e-book and read the technical tips on p. 3.

case law, European Court of Human Rights, Freedom of expression, frontpage, Journalism, Media law

Bibtex

Book{McGonagle2017b, title = {Freedom of Expression, the Media and Journalists: Case-law of the European Court of Human Rights}, author = {McGonagle, T. and Voorhoof, D.}, url = {https://www.ivir.nl/publicaties/download/IRISThemesVolIII_2016.pdf}, year = {0413}, date = {2017-04-13}, abstract = {This e-book provides valuable insights into the European Court of Human Rights’ extensive case-law on freedom of expression and media and journalistic freedoms. With 30,000 downloads, the first and second editions of the e-book (2013, 2015) have proved hugely successful. The new updated edition summarises over 250 judgments or decisions by the Court and provides hyperlinks to the full text of each of the summarised judgments or decisions (via HUDOC, the Court\'s online case-law database). The latest edition of the e-book is also available in French and in German. For an optimal navigational experience, one should download the e-book and read the technical tips on p. 3.}, keywords = {case law, European Court of Human Rights, Freedom of expression, frontpage, Journalism, Media law}, }

Kroniek Mediarecht external link

KwartaalSignaal Ars Aequi, vol. 141, pp: 8222-8224, 2016

Digital Single Market, Journalistiek, mededeling aan het publiek, mediabeleid, Social media, Vrijheid van meningsuiting

Bibtex

Article{Breemen2016b, title = {Kroniek Mediarecht}, author = {Breemen, V.}, year = {1201}, date = {2016-12-01}, journal = {KwartaalSignaal Ars Aequi}, volume = {141}, pages = {8222-8224}, keywords = {Digital Single Market, Journalistiek, mededeling aan het publiek, mediabeleid, Social media, Vrijheid van meningsuiting}, }

Kroniek Mediarecht external link

KwartaalSignaal Ars Aequi, vol. 140, pp: 8150-8152, 2016

bibliotheken, bronbescherming, e-lending, media, Privacy

Bibtex

Article{Breemen2016b, title = {Kroniek Mediarecht}, author = {Breemen, V.}, year = {0901}, date = {2016-09-01}, journal = {KwartaalSignaal Ars Aequi}, volume = {140}, pages = {8150-8152}, keywords = {bibliotheken, bronbescherming, e-lending, media, Privacy}, }

One copy one user: ‘e-uitlenen’ gaat de boeken in als ‘uitlenen in juridische zin’ (Annotatie bij HvJ EU 10 november 2016 (VOB/Stichting Leenrecht)) external link

Mediaforum, vol. 2017, num: 2, pp: 70-72, 2017

Abstract

Staat e-uitleen gelijk aan uitleen? Dat hangt ervan af: ‘uitlenen’, en meer specifiek: de juridische betekenis daarvan, kan bepaalde vormen van ‘e-lending’ omvatten. Zo luidt het langverwachte oordeel van het Hof van Justitie van de Europese Unie in de proefprocedure over de reikwijdte van het huidige leenrechtregime. De precieze uitleg van het regime heeft lange tijd ter discussie gestaan – ziet het leenrecht alleen op fysieke exemplaren? De uitspraak is dan ook om meerdere redenen van belang.

bibliotheken, e-books, e-lending, frontpage, Leenrecht

Bibtex

Article{Breemen2017, title = {One copy one user: ‘e-uitlenen’ gaat de boeken in als ‘uitlenen in juridische zin’ (Annotatie bij HvJ EU 10 november 2016 (VOB/Stichting Leenrecht))}, author = {Breemen, V.}, url = {https://www.ivir.nl/publicaties/download/Mediaforum-V.E.Breemen-annotatie.pdf}, year = {0406}, date = {2017-04-06}, journal = {Mediaforum}, volume = {2017}, number = {2}, pages = {70-72}, abstract = {Staat e-uitleen gelijk aan uitleen? Dat hangt ervan af: ‘uitlenen’, en meer specifiek: de juridische betekenis daarvan, kan bepaalde vormen van ‘e-lending’ omvatten. Zo luidt het langverwachte oordeel van het Hof van Justitie van de Europese Unie in de proefprocedure over de reikwijdte van het huidige leenrechtregime. De precieze uitleg van het regime heeft lange tijd ter discussie gestaan – ziet het leenrecht alleen op fysieke exemplaren? De uitspraak is dan ook om meerdere redenen van belang.}, keywords = {bibliotheken, e-books, e-lending, frontpage, Leenrecht}, }

The politics of the Digital Single Market: culture vs. competition vs. copyright external link

Schroff, S. & Street, J.
Information, Communication & Society, 2017

Abstract

This paper examines the implications for European music culture of the European Union’s (EU) Digital Single Market strategy. It focuses on the regulatory framework being created for the management of copyright policy, and in particular the role played by collective management organisations (CMOs or collecting societies). One of the many new opportunities created by digitalisation has been the music streaming services. These depend on consumers being able to access music wherever they are, but such a system runs counter to the management of rights on a national basis and through collecting organisations which act as monopolies within their own territories. The result has been ‘geo-blocking’. The EU has attempted to resolve this problem in a variety of ways, most recently in a Directive designed to reform the CMOs. In this paper, we document these various efforts, showing them to be motivated by a deep-seated and persisting belief in the capacity of ‘competition’ to resolve problems that, we argue, actually lie elsewhere – in copyright policy itself. The result is that the EU’s intervention fails to address its core concern and threatens the diversity of European music culture by rewarding those who are already commercially successful.

collective management organisations, copyright policy, Digital Single Market, frontpage, geo-blocking, music industry

Bibtex

Article{Schroff2017, title = {The politics of the Digital Single Market: culture vs. competition vs. copyright}, author = {Schroff, S. and Street, J.}, url = {http://www.tandfonline.com/doi/abs/10.1080/1369118X.2017.1309445}, doi = {https://doi.org/10.1080/1369118X.2017.1309445}, year = {0404}, date = {2017-04-04}, journal = {Information, Communication & Society}, abstract = {This paper examines the implications for European music culture of the European Union’s (EU) Digital Single Market strategy. It focuses on the regulatory framework being created for the management of copyright policy, and in particular the role played by collective management organisations (CMOs or collecting societies). One of the many new opportunities created by digitalisation has been the music streaming services. These depend on consumers being able to access music wherever they are, but such a system runs counter to the management of rights on a national basis and through collecting organisations which act as monopolies within their own territories. The result has been ‘geo-blocking’. The EU has attempted to resolve this problem in a variety of ways, most recently in a Directive designed to reform the CMOs. In this paper, we document these various efforts, showing them to be motivated by a deep-seated and persisting belief in the capacity of ‘competition’ to resolve problems that, we argue, actually lie elsewhere – in copyright policy itself. The result is that the EU’s intervention fails to address its core concern and threatens the diversity of European music culture by rewarding those who are already commercially successful.}, keywords = {collective management organisations, copyright policy, Digital Single Market, frontpage, geo-blocking, music industry}, }